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I also love the more-or-less same thing he did on the studio version of RM.
I'm guessing by "RM" you mean "RVM," in which case I wholeheartedly agree. Live versions definitely lack the same cathartic bite for lack of it.
Oops, yes that's exactly what I mean. Bloody abbreviations. I'm tired.
The way they thrash around on the chords live, while totally ignoring the beautiful arpeggios on the choruses and the wailing lead part in the outro, really pisses me off.
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RisingTides wrote:
There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
it has that icky "'80's hangover" sound that was so prevalent in early '90's mainstream rock
That's the word I was looking for. "Mainstream".
Its the middle of the road sound you were fearing PJ might embrace back then. Luckily, they took another route.
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RisingTides wrote:
There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
i like it. Its not one of my favorites, but its a very good song...specially the bridge.
Welcome to the Pearl Jams!
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RisingTides wrote:
There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
likes rhythmic things that butt up against each other
Joined: Fri March 31, 2017 7:05 pm Posts: 736 Location: In The Crevasse
This song will always be associated with the Atlanta 94 show for me. It was a lot of fun collecting those singles. I've still got the box set. I gave it 4 stars. I worked with a guy who wasn't a PJ fan, but used to sing this song a lot and tried to get me to play Vs. when we worked together. He would do this whole bit with the lyrics. Hand motions and everything. It was very theatrical and quite hilarious. Good times, good times..
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