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Joined: Tue January 01, 2013 3:35 pm Posts: 32274 Location: Buenos Aires
It makes sense for when Ribot goes back to playing the rhythm part, you know, how jazz players hand each other the lead, but having the trumpet draw attention away from Ribot's soloing is a weird choice. It creates a lot of dissonance and not in a very interesting way. I do like how it sounds near the end.
It just comes across as more noise that is unnecessary. Though, its nice to have a different version and interpretation of the song. There is still plenty of Ribot goodness throughout.
Also, overall, it sounds great. The entire record. This is how you re-mix and master a record. If you dont have the vinyl, and you want it, dont hold back because of some changes to hoist that rag.
This revisionist history-type stuff. Brendan O'Brien's "raw" remix of "Ten." Steve Albini's "new and improved 2013 mix" of "In Utero." It just feels like a pointless exercise to me. I'm good with the originals.
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