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I am genuinely curious how much longer the superhero genre can dominate. Every year since around 2013 I've been thinking "ok, we've got to be reaching a tipping point now", but every year proves me wrong.
I am genuinely curious how much longer the superhero genre can dominate. Every year since around 2013 I've been thinking "ok, we've got to be reaching a tipping point now", but every year proves me wrong.
Joined: Tue September 24, 2013 5:56 pm Posts: 47020 Location: In the oatmeal aisle wearing a Shellac shirt
Don’t Worry, He Won’t Get Far On Foot
I found it to be very impactful for personal reasons. Your experience will vary depending on your interest in overcoming substance use, negative thinking, stuff like that. Very glad I watched it though. Want to give a special nod to Beth Ditto for turning in a surprisingly good minor role.
Joined: Sun May 25, 2014 9:32 pm Posts: 31614 Location: Garbage Dump
My ranking of the Ingmar Bergman's Cinema box set so far:
Masterpiece: -Wild Strawberries (Rewatch; I used to HATE this movie. How wrong I was. Truly a work of art I was not prepared to understand when I saw it in high school.)
Great: -Summer with Monika (Rewatch; I've heard Godard called this "The Birth of a Nation for modern cinema," and I think there's something to that. It feels incredibly vital and contemporary in terms of style, and it's hard to reconcile that it came out in 1953 considering what American cinema looked like at the time.) -To Joy
Good: -The Seventh Seal (Rewatch; I'm not crazy about Criterion's new 4K restoration for this one. Kinda wish I hadn't preemptively sold my old Blu-ray.) -Port of Call
Okay: -Smiles of a Summer Night (Rewatch; I used to LOVE this movie. Didn't hold up super well this time.) -Summer Interlude -A Ship to India -Dreams
Mediocre: -Crisis -A Lesson in Love -Waiting Women -Thirst
Bad: -Sawdust and Tinsel (Good lord this was unpleasant.)
I've been ignoring Criterion's "festival order" and watching them chronologically. Very interesting to watch his progression as an artist. So many of his early works are bogged down in the trappings of melodrama and his preoccupation with relationships and infidelity; the existential themes he became known for are undercurrents at best. Summer with Monika and To Joy stand out as young masterworks, but it's not until he began to confront E X I S T E N C E and P H I L O S O P H Y head on with the 1-2 punch of The Seventh Seal and Wild Strawberries in 1957 that he truly became B E R G M A N as we know him.
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