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Post subject: Re: 2016 Sucks; Can We Skip to 2017? (The Albums of 2017 Thr
Posted: Sun February 26, 2017 9:36 pm
AnalLog
Joined: Tue January 01, 2013 5:34 pm Posts: 1509
Higgs wrote:
chewm wrote:
I've been enjoying this
This is cool, similar to much of the slightly grungey, wistful guitar, female vox stuff that I've enjoyed over the past year or two (Camp Cope, Bully, Chastity Belt etc).
Cheers.
I've been really enjoying this. I saw these guys last weekend and they put on a killer show. Highly recommended.
Post subject: Re: 2016 Sucks; Can We Skip to 2017? (The Albums of 2017 Thr
Posted: Sun February 26, 2017 9:57 pm
Future Drummer
Joined: Tue January 01, 2013 7:47 pm Posts: 2353
Priests are okay, bit of a shtick I feel. But I liked their earlier stuff, like this jam from their second cassette. But I keep forgetting to check out their latest, so I guess that says something about my current level of interest.
Here are some things from this year I've enjoyed.
Mordecai ABSTRACT RECIPE (Richie Records)
The Courtneys II (Flying Nun)
T-Tops S/T (self released)
Thigh Master BBC (12XU)
Bardo Pond UNDER THE PINES (Fire Records)
Out SWIM BUDDIES (comedy minus one) This record is fan fucking tastics.
Oh can we change the name of the thread? I mean 2017 isn't shaping up to a fucking banner year for anything so far.
Post subject: Re: 2016 Sucks; Can We Skip to 2017? (The Albums of 2017 Thr
Posted: Sun March 12, 2017 9:27 pm
AnalLog
Joined: Mon January 07, 2013 5:30 pm Posts: 1582
Bunch of new stuff on the horizon that I'm looking forward to.
The Byre is an album of guitar-duo improvisations by Noberto Lobo and Eric Chenaux, coming out on March 24 on three:four records. First sample is "The Gambrel":
On April 28, Colin Stetson releases his first album of fully solo compositions since 2013's New History Warfare Vol. 3, titled All This I Do For Glory. Back to the same methods of no overdubs or loops, but with even more advanced miking and production approaches, with compositional ideas dipping into '90s electronic styles. Here's "Spindrift":
Then Constellation continues its streak of doing excellent things for their 20th anniversary (even if they've yet to acknowledge it). On May 5, there's two new releases: Pools of Light by Jessiaca Moss, her second solo release and first for a label, and Selfless by Joni Void, the new pseudonym of producer Jean Cousin, formerly known on Bandcamp and Soundcloud as johnny_ripper, also first on a label.
The Moss album is three long pieces of drone/looped violin/effect/vocals, split into eight tracks, and happens to confirm in Constellation's press release that Moss's band, Thee Silver Mt. Zion, have been on hiatus since 2014. Anyway, here's a preview ("Glaciers I, Pt.I"):
The Joni Void album is constructed entirely of library samples, field recordings, and found audio sources, an approach Cousin has been using lately to avoid playing anything himself. This first sample is "Disassociation (Kyla's Song)":
Finally, on May 19, after almost eight years, the seventh Do Make Say Think album arrives, Stubborn Persistent Illusions. I've got high hopes for this one, and this preview, "Bound and Boundless" (divided into two tracks on digital formats) seems pretty promising:
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