Mon September 16, 2019 9:53 pm
Mon September 16, 2019 10:53 pm
Tue September 17, 2019 1:10 pm
Tue September 17, 2019 9:47 pm
Wed September 18, 2019 12:26 am
Wed September 18, 2019 12:41 am
Wed September 18, 2019 2:06 am
Wed September 18, 2019 12:14 pm
doug rr wrote:one of my favorite facts that you guys probably know but i love it...mike campbell wrote The boys of summer and gave it to tom to record..he passed on it because he felt it didn't fit on southern accents that they were working on at the time so he gave it don henley...that song is one of all time favorites..
Wed September 18, 2019 1:31 pm
Wed September 18, 2019 1:35 pm
Wed September 18, 2019 1:59 pm
liebzz wrote:She’s the One - this was always one of the more fun releases from them in my mind. There seems to be no real pressure on them and they seem to be having a good time with this soundtrack and the results are really good. Multiple versions of Walls and Angel are all quality, and there’s some real good stuff in there like Climb That Hill and Grew Up Fast. And even songs that seem like pure fun like Zero From Outer Space just work. Certainly feels like the happy bubble that surely bursts with the somber Echo soon on its way...
Wed September 18, 2019 2:01 pm
Wed September 18, 2019 3:46 pm
liebzz wrote:Wildflowers - this could be a biased set of remarks based in part on my familiarity with this album, but I am convinced it is far and away his best work, and personally probably ranks in my top 5 all time favorite albums. Every song is incredible and takes in such a range of weight, from the heavy to the lighthearted with such ease and seamlessness that you could lose what so special about each song without a closer listen.
Wed September 18, 2019 5:15 pm
bada wrote:California is one of my fav tracks by him. It makes me feel good.
Wed September 18, 2019 5:17 pm
Wed September 18, 2019 5:18 pm
durdencommatyler wrote:liebzz wrote:Wildflowers - this could be a biased set of remarks based in part on my familiarity with this album, but I am convinced it is far and away his best work, and personally probably ranks in my top 5 all time favorite albums. Every song is incredible and takes in such a range of weight, from the heavy to the lighthearted with such ease and seamlessness that you could lose what so special about each song without a closer listen.
Wed September 18, 2019 5:23 pm
tragabigzanda wrote:As someone who's been perfectly happy with just the Greatest Hits, Wildflowers, Damn the Torpedoes, and Full Moon Fever, is there anything in the discography that could be called "Tom's experimental album"?
Wed September 18, 2019 5:26 pm
liebzz wrote:tragabigzanda wrote:As someone who's been perfectly happy with just the Greatest Hits, Wildflowers, Damn the Torpedoes, and Full Moon Fever, is there anything in the discography that could be called "Tom's experimental album"?
I would say She’s the One they play around with their sound quite a bit, The Last DJ is kind of all over the place, Echo is Tom Petty at his saddest and there’s some different and gloomy stuff there. Mojo is experimental for them in that they sound like a bar band taking on blues rock and it doesn’t sound like the rest of their catalogue. Their self-titled debut contains a sort of stylistic range that goes beyond those late 70s and 80s albums. You’ll never find them really doing anything avant- garde or way out of the box, but they certainly tinkered with their sound over the years enough to keep it interesting.
Wed September 18, 2019 5:39 pm
Wed September 18, 2019 5:43 pm
liebzz wrote:tragabigzanda wrote:As someone who's been perfectly happy with just the Greatest Hits, Wildflowers, Damn the Torpedoes, and Full Moon Fever, is there anything in the discography that could be called "Tom's experimental album"?
I would say She’s the One they play around with their sound quite a bit, The Last DJ is kind of all over the place, Echo is Tom Petty at his saddest and there’s some different and gloomy stuff there. Mojo is experimental for them in that they sound like a bar band taking on blues rock and it doesn’t sound like the rest of their catalogue. Their self-titled debut contains a sort of stylistic range that goes beyond those late 70s and 80s albums. You’ll never find them really doing anything avant- garde or way out of the box, but they certainly tinkered with their sound over the years enough to keep it interesting.