A breakdown of classical music's primary U.S. constituencies in the year 2015:
0.1%: high-grade performers skilled enough to earn a self-sustaining income by performing live and/or selling recordings
1.9%: aristocratic patrons, intellectuals, historians, and scholarly types that comprise the stereotype envisioned by the masses as representative of the social side of classical music
50%: near-death senior citizens who spend their concerts asleep or coughing
8%: 18-40 year-old ugly, dandruff-eating day-walkers who have no hobbies or interests other than classical music, and sadly, are not good enough at playing it to perform for a living, but are struggling to accept that reality.
10%: 40-60 year-old smelly, ugly, dandruff-eating day-walkers who have few hobbies or interests other than classical music, reluctantly accept that they are not good enough to perform for a living, and cope with it by poisoning all social situations with their terrible opinions.
96583UP wrote:10%: 40-60 year-old smelly, ugly, dandruff-eating day-walkers who have few hobbies or interests other than classical music, reluctantly accept that they are not good enough to perform for a living, and cope with it by poisoning all social situations with their terrible opinions.
LoathedVermin72 wrote:I don't know much about classical music (I wish I did, but studying it seems very daunting), but I love me some Brahms and Debussy.
Wagner. That's what I see you getting into. Opera.
LoathedVermin72 wrote:I don't know much about classical music (I wish I did, but studying it seems very daunting), but I love me some Brahms and Debussy.
Wagner. That's what I see you getting into. Opera.
Yeah, I actually am a bit fascinated by the concept of opera. I downloaded some a while back but have yet to really dive in.