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I've basically only been listening to bands with fretless bass since picking one up myself, and I have learned that Percy Jones is the fucking business. He no doubt influenced Tony Levin with his masterful use of a drop-octave.
The third and final installment of the massive trilogy of The Legendary Guitar Amp Tapes. Recorded through a microphone jammed in the back of Lou Reed's amp right around the release of The Velvet Underground's third album (1969), The Legendary Guitar Amp Tapes are formidable in their unadulterated rock and roll fire and fury and a revelation for anyone who hasn't paid close attention to Reed's dynamic guitar playing which in this set is a monolithic roar, a pulverizing electronic kaiju (strange beast) grinding the whole universe into pebble and sand. Recorded at the Boston Tea Party on March 15, 1969. Paste-on covers. Edition of 500.
Lol, this fucking song. Heard it on a podcast last year and couldn't believe it was real. I still shout "COCAAAAIIIINNNNE" in an extremely Johnny Cash voice at least once a week.
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