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Joined: Tue January 01, 2013 3:35 pm Posts: 32290 Location: Buenos Aires
digster wrote:
I made an attempt sometime last year at a full catalogue run-through (he's a guy where I know a ton of songs but few full albums), but only made it through the records I was already most familiar with (the debut through Get Happy). I decided to put on Trust last night, and it was fantastic. It doesn't seem like it's spoken about on the same level as those first records, but may be my favorite of that run besides This Year's Model.
I would have missed the Juliet Letters without you mentioning it.
What list are you using? If it's Wikipedia it's possible the discography is going to break out "collaborative albums" or something like that, and things get increasingly snaky in that regard from here on out. Here's what's left in my mind (asterisks by albums I'd consider somewhat optional):
The Juliet Letters Brutal Youth Kojak Variety All This Useless Beauty Painted From Memory **For the Stars (collaboration with Anne Sofie Von Otter -- she is the featured vocalist on the album, so depending on the focus of your exercise you could conceivably skip this) When I Was Cruel **Cruel Smile (a b-sides/odds and ends album, leftover stuff from the previous album -- if you haven't done previous B-side albums, maybe skip this) North The Delivery Man **Il Sogno (instrumental orchestral album -- interesting and enjoyable, but maybe outside the scope of what you're doing here) **My Flame Burns Blue (live album from North Sea Jazz Festival -- of all the asterisked albums I'd call this the most essential, as it contains quite a few new compositions and some incredible arrangements of old ones, but again, maybe outside the scope of what you're doing here) The River in Reverse Momofuku Secret, Profane and Sugarcane National Ransom Wise Up Ghost Look Now Hey Clockface The Boy Named If (assuming this will be out by the time you get here!)
Joined: Tue January 01, 2013 3:35 pm Posts: 32290 Location: Buenos Aires
Agree with all the asterisks. In fact I'd straight up suggest skipping For the Stars. It's a Sofie Von Otter album that EC produced, and the record label insisted he be bumped up to co-star to increase sales, so he sings on a handful of tracks. There are a few worthwhile moments but overall I'd say it doesn't play an important part within EC's musical arc.
Cruel Smile has some good gems, but yeah, it's an outtakes/odds-and-sods compilation, so skip it also. And Il Sogno is a one-off that I see as separate from the main discography.
My Flame Burns Blue is so good (I just got it on vinyl!). If you're into doing a live album, go for it, but it's also non essential.
Joined: Tue January 01, 2013 3:35 pm Posts: 32290 Location: Buenos Aires
It's telling that KD left out the Lost on the River album by the New Basement Tapes supergroup. Probably the one EC project that never interested me enough to even play the album once. Skip!
Yeah I was working off Wikipedia because Spotify was well, spotty, due to separating the attractions stuff from the EC (and imposters) stuff. I needed a chronology. The Juliet Letters weren’t in the chronology.
It's telling that KD left out the Lost on the River album by the New Basement Tapes supergroup. Probably the one EC project that never interested me enough to even play the album once. Skip!
Oh yeah, forgot all about that -- even as a Dylan fan that album got a pass from me (probably because of Marcus Mumford, whose voice I can't stand). But Jim James is also on there so maybe liebzz as a big MMJ fan would get something out of it (if he doesn't know it already)
I also forgot the Spinning Songbook live album (never heard it, despite having seen that tour), and the short live EP's with Steve Nieve and Bill Frisell from the mid-90's, which I've heard but don't have. Not major entries in any case.
I'm going to join you in listening to the Juliet Letters next -- that's always been kind of towards the bottom of my list, just because it's not really my favorite style of music, but I have a feeling that today I'm going to put it on and love it.
Mission accomplished! Thanks for putting me in the mood for some EC, liebzz!
Teaming up with the Brodsky Quartet, Elvis Costello delivers a huge left turn yet again, this time embarking on some combination of show tunes and dinner music. Frankly, I do think this is largely successful, a break from the pop rock we have come accustomed to while still delivering something of substance. I feel the best moments are the lighter ones, and the tracks that really stuck out for me are I Almost Had a Weakness, Jacksons Monk & Rowe, Romeo’s Seance, and Damnation’s Cellar, I though with just one listen, I can’t say for sure. Definitely one to revisit from time to time to catch something new and interesting we missed last time.
Imperial Bedroom King of America My Aim Is True This Year’s Model Trust Blood and Chocolate Get Happy Punch the Clock Armed Forces The Juliet Letters Mighty Like a Rose Almost Blue Spike Goodbye Cruel World
After that little side refresher, we’ve got Brutal Youth. I LOVED this album on first listen. I tend to favor his more straightforward sonic albums, so this one fits right to the tee. Pony St, Kinder Murder, and 13 Steps Lead Down have a heavier, more 90s production feel to them and set this album in the exact right direction. This Is Hell, You Tripped at Every Step, 20% Amnesia, London’s Brilliant Parade, My Science Fiction Twin, Rocking Horse Road, and Just About Glad were the other big highlights for me on what I at least found to be a stellar album and among my favorites thus far.
Imperial Bedroom King of America My Aim Is True This Year’s Model Trust Brutal Youth Blood and Chocolate Get Happy Punch the Clock Armed Forces The Juliet Letters Mighty Like a Rose Almost Blue Spike Goodbye Cruel World
Joined: Tue January 01, 2013 3:35 pm Posts: 32290 Location: Buenos Aires
Hell yeah. Brutal Youth is great. It's a semi-Attractions album (Steve and Pete play drum and keyboards on every track, while bass duties are split between Nick Lowe and Attractions Bruce Thomas who was brought in halfway through recording). Another one of his "back to rock" albums and a really good one; "13 Steps Lead Down" is just awesome
Love this live performance too, the band is on fire:
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lennytheweedwhacker wrote:
Hehe
Last edited by Jorge on Sun January 09, 2022 7:41 pm, edited 1 time in total.
Joined: Tue January 01, 2013 3:35 pm Posts: 32290 Location: Buenos Aires
1. This Year's Model 2. Blood & Chocolate 3. Imperial Bedroom 4. Brutal Youth 5. King of America 6. The Juliet Letters 7. Mighty Like a Rose 8. Spike 9. Trust 10. Get Happy 11. My Aim is True 12. Armed Forces 13. Punch the Clock 14. Almost Blue 15. Goodbye Cruel World
In what is now not at all surprising, Elvis Costello followed the rocking Brutal Youth with a total switch in gears to an album of rhythm and blues covers. And of course, this is totally natural and he nails the covers. This release feels fun, airy and light in comparison, and the covers uncluttered and straightforward. All or nearly all are exceptionally delivered, leading to yet another quite solid album.
Imperial Bedroom King of America My Aim Is True This Year’s Model Trust Brutal Youth Blood and Chocolate Get Happy Kojak Variety Punch the Clock Armed Forces The Juliet Letters Mighty Like a Rose Almost Blue Spike Goodbye Cruel World
This one started a bit slow for me. Little Atoms and All This Useless Beauty just didn’t stick for me, but then he and the Attractions hit their stride with Complicated Shadows, and they basically plow through the rest of this album in very good form. Why Can’t a Man Stand Alone, Distorted Angel, Poor Fractured Atlas, Starting to Come to Me, You Bowed Down, and It’s Time are all standouts for me. Another fantastic album leaning on simpler arrangements and turning up the rock volume.
Imperial Bedroom King of America My Aim Is True This Year’s Model Trust Brutal Youth Blood and Chocolate All This Useless Beauty Get Happy Kojak Variety Punch the Clock Armed Forces The Juliet Letters Mighty Like a Rose Almost Blue Spike Goodbye Cruel World
Loving reading through all of these, liebzz. Playing catch-up a bit:
liebzz wrote:
the tracks that really stuck out for me are I Almost Had a Weakness, Jacksons Monk & Rowe, Romeo’s Seance, and Damnation’s Cellar
"Romeo's Seance" was a song that really just registered with me for the first time last listen! What a great little tune. Otherwise, I think you've listed my three favorite songs on this album. Really enjoyed revisiting this one and will be doing so more in the near future; I think my ears have been opened a little bit more to this type of music in the past couple years, so I think I'm a bit more sensitive to this album's strengths than I've been in the past.
Brutal Youth is hands down one of his best collections of songs in my opinion, and one of a handful of his albums that really serves as a great meeting place for his many stylistic inclinations. It's one of my all-time favorites.
Kojak Variety is probably one I could stand to revisit -- honestly it's probably my least favorite album on the journey so far, not because it's bad necessarily, it just doesn't aim very high and I think that's the mark it ultimately hits. I really love "Pouring Water on a Drowning Man," and enjoy a few others ("Everybody's Crying Mercy," "The Very Thought of You"), but across the span of fifteen tracks it loses my interest. Just not a record I feel compelled to play very often.
All This Useless Beauty was one of my very first Costello albums, second only to the then-new When I Was Cruel, and showcasing a complete opposite side of his songwriting. This album is something of a hodge podge of songs written with or for other artists, but it has gems galore on it, many of which you've listed.
This Year's Model Brutal Youth Get Happy King of America Blood and Chocolate Imperial Bedroom All This Useless Beauty Mighty Like a Rose Trust My Aim Is True Spike Armed Forces The Juliet Letters Punch the Clock Almost Blue Goodbye Cruel World Kojak Variety
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