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The cool thing about that outro is that it is in an odd meter, but you can lay a standard 4/4 beat over it, so you can dance to it anyway. "Get Right" uses a similar trick, not that anyone would notice.
There' something deep and elemental about it. You have to move.
Random aside: have you heard the WTF interview with Byrne? Generally those are not really my bag, as Marone manages to be both more drooly and less factually accurate than your average NPR soft-talker, but that one was great because he had a series of coincidental David Byrne weirdo experiences, and they were so unremarkable to Byrne that he had to take Mark's word for it.
There' something deep and elemental about it. You have to move.
Random aside: have you heard the WTF interview with Byrne? Generally those are not really my bag, as Marone manages to be both more drooly and less factually accurate than your average NPR soft-talker, but that one was great because he had a series of coincidental David Byrne weirdo experiences, and they were so unremarkable to Byrne that he had to take Mark's word for it.
I did hear that. Reaffirmed that I can never get a handle on Byrne, which is what makes him maddening and great.
Joined: Sat January 05, 2013 7:30 am Posts: 8199 Location: nothing
Wendy Carlos's Twin wrote:
The cool thing about that outro is that it is in an odd meter, but you can lay a standard 4/4 beat over it, so you can dance to it anyway. "Get Right" uses a similar trick, not that anyone would notice.
who says you cant gyrate dance to a different time signature.
stop making sense
_________________ crazy strong wind on the ride back had to mega pump the quads
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