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Post subject: Re: Soundboard Remasters Series (pre-2000 bootlegs)
Posted: Wed January 30, 2019 10:29 pm
Looks Like a Cat
Joined: Tue January 01, 2013 11:28 pm Posts: 14542 Location: Space City
Awesome, MD. Curious if the slower tempo songs in the sets are welcome resting moments or momentum killers on a run? Typically I don’t run with music but I can get behind letting the energy of a bootleg propel a workout.
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dimejinky99 wrote:
I could destroy any ai chatbot you put in front of me. Easily.
Awesome, MD. Curious if the slower tempo songs in the sets are welcome resting moments or momentum killers on a run? Typically I don’t run with music but I can get behind letting the energy of a bootleg propel a workout.
They never killed the momentum, nor broke my pace. If anything, they provided a nice change up to keep the run interesting. My biggest challenge in long distance training was always the mental focus to be running for so long. The different tempos helped.
I used to love running to live show bootlegs. Feels like im trapped in a story and i want to see how it ends. I totally get lost in it and next thing I know i ran 10 miles.
Post subject: Re: Soundboard Remasters Series (pre-2000 bootlegs)
Posted: Mon December 21, 2020 10:19 pm
A Return To Form
Joined: Sun January 06, 2013 2:21 pm Posts: 112 Location: Paris, FR
I have downloaded the DGR remastered bootlegs, and have started to listen in order and compare with JWB versions: I really prefer the DGR ones so far (after Amsterdam '92, MTV Unplugged, Zurich '92...), they sound fuller. I am less familiar with audience bootlegs but his work on Paris '92 for example is great. The '95 releases look interesting as he works on the EQ to have distinct left/right channels from the mono Monkeywrench sources.
Post subject: Re: Soundboard Remasters Series (pre-2000 bootlegs)
Posted: Mon January 04, 2021 2:05 pm
Future Drummer
Joined: Sat January 05, 2013 9:37 am Posts: 2809
XWayne wrote:
I have downloaded the DGR remastered bootlegs, and have started to listen in order and compare with JWB versions: I really prefer the DGR ones so far (after Amsterdam '92, MTV Unplugged, Zurich '92...), they sound fuller. I am less familiar with audience bootlegs but his work on Paris '92 for example is great. The '95 releases look interesting as he works on the EQ to have distinct left/right channels from the mono Monkeywrench sources.
JWB remasters were mastered to fit in with the official boots series.
They are not audiophile remasters because that wasn't the goal.
This has been explained many times.
However, I am curious about this guy's Monkeywrench remasters because EQ'ing a mono source different in both channels is not a particularly smart or effective technique to use. But I've been wrong.
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