Wed May 07, 2014 12:06 am
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P E A R L J A M
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LIGHTNING BOLT LIVE
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compilation & artwork by ridleybradout
May 2014
Source: Official 24bit/96KHz HD FLAC bootlegs > WAV > Nero WaveEditor/Audacity > WAV > 24bit/96KHz HD FLAC
16bit/44.1KHz FLAC and mp3 versions converted using dBpoweramp Music Converter.
Total time: 49:29
Includes FFP and Md5 files.
Full high-res artwork included.
FAN-MADE PROJECT - NOT FOR SALE
This compilation is designed to complement the official bootlegs, not replace them.
Please support Pearl Jam by purchasing their official releases from http://www.pearljam.com/goods
TRACKLIST:
01 Pendulum (Philadelphia, PA 2013-10-22)
02 Lightning Bolt (Oklahoma City, OK 2013-11-11)
03 Mind You Manners (Auckland, NZ 2014-01-17)
04 My Father's Son (Adelaide, AU 2014-01-31)
05 Sirens (Portland, OR 2013-11-29)*
06 Getaway (Sydney, AU 2014-01-26)
07 Infallible (Vancouver, BC 2013-12-04)
08 Swallowed Whole (Charlottesville, VA 2013-10-29)
09 Let The Records Play (Oklahoma City, OK 2013-11-11)
10 Sleeping By Myself (Los Angeles, CA 2013-11-24)
11 Yellow Moon (Brooklyn, NY 2013-11-19)
12 Future Days (Brooklyn, NY 2013-11-19)^
* Outro singalong from Melbourne, AU 2014-01-24
^ Last 25 seconds from Hartford, CT 2013-10-25 (to patch glitch in recording)
Wed May 07, 2014 12:16 am
Wed May 07, 2014 1:36 am
Wed May 07, 2014 12:01 pm
Wed May 07, 2014 12:40 pm
Wed May 07, 2014 1:13 pm
bada wrote:Ridley or anybody else, do you find when making mixes that crowd noise dictates sequencing more than track selection? Sometimes I"ll take an extended encore crowd noise snippet, mix it, fade it, or mess with volume for a nice flow between radically different crowd noise but more often than not my perfect track list gets blown apart and reordered to make smooth crowd noise transitions. Anyone have tricks for this?
Wed May 07, 2014 2:41 pm
Wed May 07, 2014 9:22 pm
Thu May 08, 2014 3:08 pm
Thu May 08, 2014 6:32 pm
Fri May 09, 2014 11:26 pm
Thu June 26, 2014 6:38 pm
Thu June 26, 2014 9:02 pm
Leatherhead wrote:Any updates to this compilation yet? Though I think there's only been 2 bootlegs released since this was put together.
Sun July 20, 2014 1:08 am
Thu July 24, 2014 8:40 pm
Sat July 26, 2014 2:31 pm
Mon March 20, 2017 2:34 am
Mon March 20, 2017 4:21 am
Leatherhead wrote:Any chance of a new version of this? There's gotta be some better performances of some of these songs by now.
Wed March 22, 2017 5:52 pm
lowlight79 wrote:bada wrote:Ridley or anybody else, do you find when making mixes that crowd noise dictates sequencing more than track selection? Sometimes I"ll take an extended encore crowd noise snippet, mix it, fade it, or mess with volume for a nice flow between radically different crowd noise but more often than not my perfect track list gets blown apart and reordered to make smooth crowd noise transitions. Anyone have tricks for this?
For me, it is rarely it plays a part. I have found so many ways in the past few years to get around it or manipulate it that I have found so many ways I can make it better in past things I've done. For example, I am tearing apart my 2003 mix nightly and trying to make it alot better right now. Some tricks I use is making a seperate track of just crowd noise as bridge between two tracks, they I usually burn the disc and add the noise one of the tracks and rework it to sound perfect.
Mon March 27, 2017 10:03 pm
MadTIGERmaN wrote:lowlight79 wrote:bada wrote:Ridley or anybody else, do you find when making mixes that crowd noise dictates sequencing more than track selection? Sometimes I"ll take an extended encore crowd noise snippet, mix it, fade it, or mess with volume for a nice flow between radically different crowd noise but more often than not my perfect track list gets blown apart and reordered to make smooth crowd noise transitions. Anyone have tricks for this?
For me, it is rarely it plays a part. I have found so many ways in the past few years to get around it or manipulate it that I have found so many ways I can make it better in past things I've done. For example, I am tearing apart my 2003 mix nightly and trying to make it alot better right now. Some tricks I use is making a seperate track of just crowd noise as bridge between two tracks, they I usually burn the disc and add the noise one of the tracks and rework it to sound perfect.
its, A LOT easier to do with PJ's official bootlegs, especially on one given tour, as the sound tends to be more consistent.
The nightmare is taken multiple different sources to mix a mega compilation. When we put together the Sleater-Kinney live vault years ago, there was a couple of really good versions of songs that took a lot of editing to get just right. The PJ encore break splice was always a favorite of mine. I think ive even used a few PJ encore breaks on other bands live comps ive made over the years