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i can confirm that riot act from hdtracks is no different than the original, but there is no claim that this is the newly released version either.
Riot Act was released on HDTracks in 2015. It went mostly unnoticed, but 192/24 versions of both Binaural and Riot Act also went up on Qobuz in September 2017. I have confirmed that the Qobuz version of Riot Act is same as the HDTracks version from 2015. The question now is whether this version is the same as the new '2017 remaster' supposedly being put out in conjunction with the 2017 vinyl release (if so this would mean it's actually a 2015 remaster). Any help getting to the bottom of this would be muchly appreciatory because it's holding up the release of this:
And before anyone asks, like the No Code/Yield Deluxe editions I will be putting out a version with the original CD master as well
Would want to. This will be fantastic. Can't wait.
Outstanding! Could someone kindly share a link to the No Code and Yield deluxe editions?
With all the reissues, remasters, and foggy lineage, is there a site that can rank the best "audiophile" or best sounding copies of the releases? Along the lines of the "definitive list of PJ Songs" thread, but for records and/or SACD/DVD audio/HD tracks of the albums? I'd be an undertaking, for sure, and it would have to be a visual spectrum analysis as all of our ears are different.
Discogs is a great resource, but I don't see a ranking there.
Joined: Tue September 24, 2013 5:56 pm Posts: 47163 Location: In the oatmeal aisle wearing a Shellac shirt
nomorecrackpipes wrote:
With all the reissues, remasters, and foggy lineage, is there a site that can rank the best "audiophile" or best sounding copies of the releases? Along the lines of the "definitive list of PJ Songs" thread, but for records and/or SACD/DVD audio/HD tracks of the albums? I'd be an undertaking, for sure, and it would have to be a visual spectrum analysis as all of our ears are different.
Discogs is a great resource, but I don't see a ranking there.
DR Peak RMS Filename ----------------------------------------------------------------------------------------------
DR7 -0.74 dB -8.73 dB 01 Life Wasted.wav DR7 -0.76 dB -8.92 dB 02 World Wide Suicide.wav DR6 -0.58 dB -7.67 dB 03 Comatose.wav DR7 -0.80 dB -9.52 dB 04 Severed Hand.wav DR7 -0.80 dB -8.61 dB 05 Marker In The Sand.wav DR7 -1.08 dB -9.67 dB 06 Parachutes.wav DR8 -1.08 dB -9.59 dB 07 Unemployable.wav DR6 -0.82 dB -8.32 dB 08 Big Wave.wav DR7 -0.86 dB -9.94 dB 09 Gone.wav DR11 -2.34 dB -16.47 dB 10 Wasted Reprise.wav DR7 -0.50 dB -9.16 dB 11 Army Reserve.wav DR7 -0.70 dB -9.07 dB 12 Come Back.wav DR7 -0.32 dB -11.40 dB 13 Inside Job.wav ----------------------------------------------------------------------------------------------
Number of files: 13 Official DR value: DR7
#############
2017 Remix
DR Peak RMS Filename ----------------------------------------------------------------------------------------------
DR5 over -5.54 dB 1-01 Life Wasted (2017 Mix).wav DR5 over -6.44 dB 1-02 World Wide Suicide (2017 Mix).wav DR5 over -6.02 dB 1-03 Comatose (2017 Mix).wav DR5 over -6.27 dB 1-04 Severed Hand (2017 Mix).wav DR5 over -5.92 dB 1-05 Marker In the Sand (2017 Mix).wav DR6 over -7.26 dB 1-06 Parachutes (2017 Mix).wav DR5 over -6.01 dB 1-07 Unemployable (2017 Mix).wav DR5 over -5.59 dB 1-08 Big Wave (2017 Mix).wav DR5 over -6.86 dB 1-09 Gone (2017 Mix).wav DR11 -0.06 dB -13.09 dB 1-10 Wasted Reprise (2017 Mix).wav DR6 over -6.93 dB 1-11 Army Reserve (2017 Mix).wav DR5 over -5.80 dB 1-12 Come Back (2017 Mix).wav DR5 over -8.35 dB 1-13 Inside Job (2017 Mix).wav ----------------------------------------------------------------------------------------------
Number of files: 13 Official DR value: DR5
TL;DR: the Spotify remaster has a dynamic range of 7, while the 2017 remix has a dynamic range of 5. The original CD version had a range of 6, so the 2017 remix is more compressed than the original version; and the Spotify remaster has more dynamics/less compression.
Joined: Tue September 24, 2013 5:56 pm Posts: 47163 Location: In the oatmeal aisle wearing a Shellac shirt
Looking at the individual songs, we can see that nearly every single one has about 2db less dynamic range on the 2017 version; the whole album is also about 5db louder overall.
Looking at the individual songs, we can see that nearly every single one has about 2db less dynamic range on the 2017 version; the whole album is also about 5db louder overall.
Joined: Tue September 24, 2013 5:56 pm Posts: 47163 Location: In the oatmeal aisle wearing a Shellac shirt
Who knows? It was pretty standard in the early-to-mid aughts, when artists and engineers were concerned with how their song would play on an ipod shuffle playlist, but that conventional thinking has started to die out pretty dramatically; there are lots of new popular records that aren't squashed. My money is on either A) Ed/BOB have done a lot of damage to their ears and need to hear things loud all the time, and/or B) they are still stuck in the mid aughts.
With all the reissues, remasters, and foggy lineage, is there a site that can rank the best "audiophile" or best sounding copies of the releases? Along the lines of the "definitive list of PJ Songs" thread, but for records and/or SACD/DVD audio/HD tracks of the albums? I'd be an undertaking, for sure, and it would have to be a visual spectrum analysis as all of our ears are different.
Discogs is a great resource, but I don't see a ranking there.
The original CD's are definitive, period. No vinyl bullshit. No remasters.
Joined: Wed December 19, 2012 9:53 pm Posts: 22547 Location: Chapel Hill, NC, USA
tragabigzanda wrote:
Ok, so I just ran both the S/T Spotify master and the 2017 BOB mix through the Dynamic Range app, and this is what I got:
Spotify Master
DR Peak RMS Filename ----------------------------------------------------------------------------------------------
DR7 -0.74 dB -8.73 dB 01 Life Wasted.wav DR7 -0.76 dB -8.92 dB 02 World Wide Suicide.wav DR6 -0.58 dB -7.67 dB 03 Comatose.wav DR7 -0.80 dB -9.52 dB 04 Severed Hand.wav DR7 -0.80 dB -8.61 dB 05 Marker In The Sand.wav DR7 -1.08 dB -9.67 dB 06 Parachutes.wav DR8 -1.08 dB -9.59 dB 07 Unemployable.wav DR6 -0.82 dB -8.32 dB 08 Big Wave.wav DR7 -0.86 dB -9.94 dB 09 Gone.wav DR11 -2.34 dB -16.47 dB 10 Wasted Reprise.wav DR7 -0.50 dB -9.16 dB 11 Army Reserve.wav DR7 -0.70 dB -9.07 dB 12 Come Back.wav DR7 -0.32 dB -11.40 dB 13 Inside Job.wav ----------------------------------------------------------------------------------------------
Number of files: 13 Official DR value: DR7
#############
2017 Remix
DR Peak RMS Filename ----------------------------------------------------------------------------------------------
DR5 over -5.54 dB 1-01 Life Wasted (2017 Mix).wav DR5 over -6.44 dB 1-02 World Wide Suicide (2017 Mix).wav DR5 over -6.02 dB 1-03 Comatose (2017 Mix).wav DR5 over -6.27 dB 1-04 Severed Hand (2017 Mix).wav DR5 over -5.92 dB 1-05 Marker In the Sand (2017 Mix).wav DR6 over -7.26 dB 1-06 Parachutes (2017 Mix).wav DR5 over -6.01 dB 1-07 Unemployable (2017 Mix).wav DR5 over -5.59 dB 1-08 Big Wave (2017 Mix).wav DR5 over -6.86 dB 1-09 Gone (2017 Mix).wav DR11 -0.06 dB -13.09 dB 1-10 Wasted Reprise (2017 Mix).wav DR6 over -6.93 dB 1-11 Army Reserve (2017 Mix).wav DR5 over -5.80 dB 1-12 Come Back (2017 Mix).wav DR5 over -8.35 dB 1-13 Inside Job (2017 Mix).wav ----------------------------------------------------------------------------------------------
Number of files: 13 Official DR value: DR5
TL;DR: the Spotify remaster has a dynamic range of 7, while the 2017 remix has a dynamic range of 5. The original CD version had a range of 6, so the 2017 remix is more compressed than the original version; and the Spotify remaster has more dynamics/less compression.
I'm pretty sure everyone in the Pearl Jam LLC Organization hates your guts.
_________________ Everything's perfectly all right now. We're fine. We're all fine here, now, thank you. How are you?
Who knows? It was pretty standard in the early-to-mid aughts, when artists and engineers were concerned with how their song would play on an ipod shuffle playlist, but that conventional thinking has started to die out pretty dramatically; there are lots of new popular records that aren't squashed. My money is on either A) Ed/BOB have done a lot of damage to their ears and need to hear things loud all the time, and/or B) they are still stuck in the mid aughts.
or both
bodysnatcher wrote:
i have a feeling if they read that, they would have no idea what it means
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