I think because hunting with automatic or even semi-automatic rifles is not really a fair hunt. Here it's mostly bow-hunters. When those guys bag an elk with a bow, I have to say that I'm impressed.

I see a lot of definite "gun nuts" where I live. Confederate flag on big obnoxious truck, mouth full of chewing tobacco, dead animal in back of obnoxious truck after "hunting," Trump bumper sticker, the works. Glorified G really speaks to my inner hatred of these kind of people.

"Glorified G" was one that went through a series of changes, and barely held together the whole time. We all knew there were melodies and riffs in it we liked. But even listening to the song right up to the mixing stage I was going, "Does this work at all?!" Here was Mike playing a very up, country guitar line while I'm playing this choppy down riff on the opposite end of the groove spectrum. Meanwhile, Jeff's got this totally other bass line going that's not really steady, and he's going off in a melodic direction, too. So there's not really anybody holding it down, and Dave's got to decide either to play it more the country way or play it the funky way. There was this precarious balance, and then suddenly the bridge comes in from out of the blue, which, if Eddie doesn't sing it just right, sounds sort of foreign. Finally, it never goes back to the chorus at the end, it turns into something else."

Can anyone clarify what the fuck Bossman is talking about here?

Can anyone clarify what the fuck Bossman is talking about here?

Well, I'm aroused.

Is the "country guitar line" the main hook?

Is the "country guitar line" the main hook?

I think it's a safe assumption.

"Opposite end of the groove spectrum" really gets me goin'.

Hence the boner.

New sig?