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Yield and Riot Act both focus on capturing warm tones and clarity (largely via instrument separation) of performance. No Code is more about tonal and performance interactions, and the intricacies/alterations of those interactions.
Yield and Riot Act both focus on capturing warm tones and clarity (largely via instrument separation) of performance. No Code is more about tonal and performance interactions, and the intricacies/alterations of those interactions.
That's a great way to break it down, yeah. And I think my ear finds the warm tones and clarity more pleasing.
Listening to this all the way through again tonight and holy fuck the guitars on this record. Each and every song has some incredible subtle interplay going on, usually with three guitars. They do such a great job of intermingling and commenting on each other - the highest compliment I can pay is that it reminds me of Lennon/McCartney/Harrison harmonies in a weird way.
BOB really produced/mixed the fuck out of this thing.
Listening to this all the way through again tonight and holy fuck the guitars on this record. Each and every song has some incredible subtle interplay going on, usually with three guitars. They do such a great job of intermingling and commenting on each other - the highest compliment I can pay is that it reminds me of Lennon/McCartney/Harrison harmonies in a weird way.
BOB really produced/mixed the fuck out of this thing.
yeah, the tone of the guitars is incredible...and the interaction too...is one of my favs from PJ in that sense.
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