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Fun easter egg: the palm-muted guitar riff in the right channel from about 0:40 - 0:46 is basically the exact same riff Mike uses when PJ plays “Baba O’Riley” live, his guitar translation of the synthesizer part in the Who original. Not that it’s an especially rarified musical commodity — he is basically arpeggiating a power chord — but for a long time fan, there was a weird “wtf is that” moment hearing that riff chiming out of that right speaker. Pretty cool. (**sorry, I have missed some posts - I see someone else has made this observation already).
This song is among my favorites — it reminds me of the frenzied outro to “Ole” run through a full song filter, the guitar and bass buzzing and gnashing back and forth at each other, almost colliding but managing to get out of each other’s way just in time. Watt got a superb performance from them here.
Joined: Thu December 13, 2012 6:31 pm Posts: 40081
Kevin Davis wrote:
Fun easter egg: the palm-muted guitar riff in the right channel from about 0:40 - 0:46 is basically the exact same riff Mike uses when PJ plays “Baba O’Riley” live, his guitar translation of the synthesizer part in the Who original.
Joined: Thu December 13, 2012 6:31 pm Posts: 40081
darth_vedder wrote:
VinylGuy wrote:
Vindicator wrote:
VinylGuy wrote:
Vindicator wrote:
Yup this song is one of the heaviest moments since at least Life Wasted. The outro scream and solo have the energy of something like Save You.
Agreed. The ending is awesome and im so happy they didnt fade out
In fact there's zero fade outs on the entire album!
Great production idea
I'm still not over the fade out during Rival
I actually like that one - it feels more menacing, like something burrowing under your skin that fades out of sight but doesn't go away, as opposed to something that ends.
Yup this song is one of the heaviest moments since at least Life Wasted. The outro scream and solo have the energy of something like Save You.
Agreed. The ending is awesome and im so happy they didnt fade out
In fact there's zero fade outs on the entire album!
Great production idea
I'm still not over the fade out during Rival
I actually like that one - it feels more menacing, like something burrowing under your skin that fades out of sight but doesn't go away, as opposed to something that ends.
Oh man, for me I want more of that piano coming in at the end there. I feel like they were just kicking into what was sounding like an amazing jam, then nah, peace out.
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